That time of the year again, when all the tv channels look back at the year and we all say “ooh, I forgot that happened” or “oh goodness, did xx die?!”. Or, in some cases, “blimey, is xx still alive?!”.

And this year the reminiscing is going to be even worse as it’s the end of the decade.

However, 2009 is feeling pretty good coming from the end of the most successful Melbourne Writers Festival ever, and with the sun shining, and the holidays upon us. Birds are singing outside my window, children are walking past chattering happily, and evil Santa is yet to make his appearance.

Hope you all have a great break, eat too much, drink too much and enjoy lying down all boxing day watching the test. Bliss. watching the test.

Helenka

It’s not really that spooky, but isn’t that a nicely dramatic name? I find myself wishing for a ghost to waft smokily through a wall, shush me ala Ghostbusters, then continue on. The passage is part dust, dirt, chill and echoing footsteps. Just what the State Library of Victoria building should be.

Post in the comments if you know any State Library of Victoria ghost stories, and in the lead up to the festival, during the long hours and late nights, we’ll make a pretend camp fire with cellophane (so to not disturb the smoke detectors) and hold touches under our chins, telling tales to scare one another.

Louise
Festival Administrator

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Ah, finally we’ve made it to the shiny new premises at the newly entitled Wheeler Centre at the corner of Little Lonsdale and Swanston Streets, in the old museum building. It’s been quite a process to get here, but finally, finally we are esconced in the basement, looking out at builders’ legs as they finalise the lift, and the entrance to our space.

Still living out of boxes and crates of course, but we’re getting there, even though the main question is “Has anyone seen the…..?”.

Our new festival director, Steve Grimwade, is very busy talking to writers, publishers and agents about the 2010 program, and already some exciting news about potential guests for next year. You’ll just have to make sure you subscribe to our e-bulletin for news!

Apart from the lovely building, the brand new computers (bliss after years of elderly equipment and software drag), new furniture and sharing space with fellow writing organisations, there is an absolute plethora of fantastic eating spaces, shops and other vitals of urban living which has been lacking in Southbank. All I need now is to track out my new cycling route!

Helenka
Festival Manager

Artwork: Chay-ya Clancy; Photography: Jim Lee

Artwork: Chay-ya Clancy; Photography: Jim Lee

Photography: Jim Lee

Atrium, Federation Square; Photography: Jim Lee

Photography: Jim Lee

Author green room; Photography: Jim Lee

Thanks to Miranda Brown Publicity the Melbourne Writers Festival has 10 double passes and 20 Buy One Get One Free passes to give away for new Australian film Prime Mover, released 12 November. Prime Mover

Prime Mover is a diesel charged love story about ambition, pressure, responsibility and the love shared by a man, a woman and his truck.

Thomas dreams of owning and driving his own prime mover. But not just any old truck. A huge, bitumen eating chrome metal juggernaut, as powerful and unstoppable as his love for Melissa, a disarming Dubbo beauty who gives as good as she gets.

Loaded up with big dreams, big credit and soon a new family, young Thomas goes into business for himself. Now he’s a real truckie, hauling loads day and night, driving faster and faster. But as the screws of responsibility and reality tighten Thomas must decide between sanity, family or his diesel powered dreams.

Prime Mover stars rising talent Michael Dorman as Thomas; 2006 AFI Award winning actress Emily Barclay as Melissa; the star of Sea Change and Look Both Ways William McInnes; iconic screen favourite Ben Mendelsohn; and new hit sensation Gyton Grantley of Underbelly.

Prime Mover is written and directed by David Caesar (Dirty Deeds, Mullet, RAN) and produced by Vincent Sheehan (Little Fish, Mullet)

Prime Mover

To be in the running send an email, including your full name, postal address and the subject line ‘Prime Mover comp’ to admin@mwf.com.au.

All entries must be received by Friday 23 October, 5pm. Winners will be selected at random. Only winners will be notified.

“a wonderful solo vehicle that also contains terrific writing for orchestra… with enormous emotional range and depth.” Marc Satterwhite, Director Grawemeyer Award

Academy student Kristian Winther will perform Brett Dean’s 2009 Grawemeyer Award-winning violin concerto, The Lost Art of Letter Writing with the Orchestra of the Academy. A deeply-felt composition, each movement is based on an excerpt from a letter written in the 19th century including Ned Kelly’s famous Jerilderie letter.

Haydn Symphony No. 82 in C major The Bear
Ligeti Cello Concerto
Brett Dean Violin Concerto The Lost Art of Letter Writing – Australian premiere

Kristian Winther, violin
Sharon Draper*, cello

Orchestra of the Academy
*Winner of ANAM’s 2008 Concerto Competition

21 November, 8pm
South Melbourne Town Hall
210 Bank Street, Sth Melbourne

The Australian National Academy of Music is delighted to extend a 10% Arts partner offer to Melbourne Writers Festival subscribers. To take advantage of this special offer contact 136 100 and quote ‘ARTS PARTNER OFFER’ or book online at Ticketmaster.

Tickets $50 (full) & $25 (concession)

The festival office has gone all quiet. We’re back down to five staff members only for roughly the next six months, and I’m starting to miss the windswept hijinks of festival time. I lie; there were few hijinks. High-pressure deadlines, but hijinks, not so much. If asked nicely I may be persuaded to make something up. Oh, the family have gone into the world to other jobs; don’t forget us guys!

We’re still wrapping up and debriefing; I personally have paid more invoices in one month than I thought existed in the entire history of the WORLD (again, not quite true). Today I met with the lovely Kim Brockett of Craft Victoria (meeting over at Craft Victoria in Flinders Lane more or less so that I could peruse the storefront and current exhibition). All agree; Craft Hatch @ MWF was a wonderful thing and brainstorming has begun for more ways to have craftiness in the festival. I’m writing a wish list. Lists are fun.

In the meantime, because everyones loves photos, here are some photos of Craft Hatch @ MWF 2009. I’ll be posting more photos of the festival in the weeks to come – keep an eye on this space. 

Photography: Jim Lee

Pictured: Zoe Churchill, Wah Wah Wears; Photography: Jim Lee

Pictured: Nicholas Jones; Photography: Jim Lee

Pictured: Nicholas Jones; Photography: Jim Lee

Pictured: Samantha Parsons, Studio Sam; Photography: Jim Lee

Pictured: Samantha Parsons, Studio Sam; Photography: Jim Lee

Louise Angrilli
Festival Administrator

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It has been wonderful to see the flurry of online activity that this year’s festival has generated on this blog, on Facebook and on Twitter. However, there has also been an extraordinary amount of blogging done elsewhere by both MWF guests and visitors.

Here is a list of all the bloggers we could find who wrote about MWF during the festival. The writing collected here is diverse and ranges from event reviews, interviews, personal reflections, festival wrap-ups and humorous takes on the festival. There’s a lot of content here but we certainly had a great time pouring over it all (and noting the feedback!) so we’re sure you’ll enjoy it too.

Finally, we did our best to make contact with everybody who blogged about MWF this year but if we did miss you then apologies and please feel free to submit links to your blog in the comments.

Blogging from within:

Official MWF bloggers Estelle Tang and Frenchelbow (Simon Keck) here at mwfblog.com.au

Philip Hensher, whose novel The Northern Clemency was shortlisted for the 2008 Man Booker Prize, wrote about his visit to Melbourne for MWF here for the UK newspaper The Independent.

Zimbabwean writer Petina Gappah wrote this post on her personal blog about her visit to Melbourne as a MWF guest.

Festival guest Angela Meyer is the author of the LiteraryMinded blog and she kept an incredibly comprehensive online diary during the festival:

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8

Festival guests Jessica Au and Sophie Cunningham from Meanjin Quarterly wrote this piece about The Future of the Book session on Spike (Meanjin’s blog).

Young adult and children’s fiction writer Julia Lawrinson blogs here on her Writing in the margins blog.

Artist Chay-Ya Clancy created the Federation Square word board installation, which so many of you had fun with. Chay-Ya did some behind the scenes blogging on her Stillness in flight blog.

MWF Copywriting intern Megan Burke covered MWF extensively throughout these posts on her Literary Life blog.

MWF related content from Readings, the festival’s official bookseller.

Blogging from without:

Freelance writer George Dunford covered the festival on his blog Hackpacker in the posts collected here.

On ANZ LitLovers LitBlog, the blog for the online reading group, Lisa Hill covered the festival on the posts collected here.

Perry Middlemiss, who has written online about Australian literature since 1996, filed these four reports on his Matilda blog.

Ghostlines author Nick Gadd wrote about MWF in these three pieces from his blog The writer in disguise.

Joyce Kwok, the author of the decisive guide to Melbourne Mel: Hot or Not, covered MWF in these posts.

Benjamin Solah, Marxist Horror Writer, covered MWF on these posts and a summary of those posts appears at The Specusphere.

Writer, reader and teacher Sherryl Clark filed these four reports on her Books and Writing blog.

Thuy Linh Nguyen wrote about MWF across these posts.

Kathryn Daley covered MWF in these posts on her A little bit of life blog.

Also check out:

Author Jon Bauer’s festival wrap-up

Planning With Kids on the Schools Program

Jabberwocky on Wells Tower

MrsUnderhill.com on MJ Hyland

Miscellaneous Adventures of an Aussie Mum on the MJ Hyland masterclass

Emancipation of Eve on Marketing in the Info Age

eleventyone on Digital Publishing and McSweeney’s (Futuristic) Antipodean Adventure!

Words in progress on Award Winning Australian Fiction launch and Liner Notes: Michael Jackson’s Thriller

Bookends on Kamila Shamsie

Ambrosia : A Memoir on Krissy Kneen (interview)

Just for fun

The satirical news blog The Late Breaker did a series of literary theme posts to celebrate MWF and they can be found here.

Idiot’s View on Writers Festivals

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Small Press Underground Networking Community Extravaganza

Shaun Tan, Writer in Residence at MWFBook artist Nicholas Jones

Anita at Craft HatchMax BarryReadings

A few last things: Thomas Buergenthal signing a young lawyer’s copy of his book with a salutation to her future career as a human rights lawyer; Hitomi Kanehara and the ten sleepers in her ear; a room full of people celebrating sex with Krissy Kneen, Linda Jaivin and Nikki Gemmell; MJ Hyland and that jibbering microphone; another MJ and Thriller at the Toff; the exhortation to contemplate the future of the book; a missed rendezvous between Heidi Julavits, Eli Horowitz and Lord of the Fries; revisiting childhood wonder at maps with Reif Larsen; the poetry of domesticity with Chris Wallace-Crabbe; Jeff Sparrow and how we conceptualise killing; fiery rumpus on the parallel importation of books; chewy duck canapés; bourbon and bitters; one lost pair of shoes; two shaking arms and a heart full in all its chambers.

Estelle Tang, 3000 BOOKS
Festival Blogger

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Last day at the festival is all about bump out.  I spend most of the day either taking things apart or getting ready to take things apart.  There are a couple of last minute dramas to contend with, one of which is pretty intense, ending with someone in tears which is horrible, and I’m certainly walking, talking and dealing with things as much as ever, but I do have time for a last breakfast in ACMI Lounge with most of the festival staff which is fun.  And  later I share a cheesecake with Chay-ya, the artist who created our scrabble boards in the upper plaza which have been a great success.  

I summon all the staff to the atrium for a group shot by Jim our photographer.  I’m not sure if we are all silly through fatigue or elation that the festival has been such a success.  Pretty sure evil Steve does some bunny ears, and Louise nearly falls asleep in the flower bed.  

A woman stops me in the atrium to compliment me (us) on how fantastic the festival has been.  Someone else comes by and says she’s had the best time ever at any MWF.  A long time punter tells me that she loved the deckchairs.  Mark Rubbo gives me the final hug for the festival and seems generally pleased with how it’s all gone.   

Chris Flynn gives me a hug to help me get through the day, and  Ralph from Jolimont Expresso shouts me a soup he made himself.  It’s delicious. He’s been trying to make me have lunch every day, but this is the first time I’ve had time for it.  Some days I’ve got home at 11pm and realised I haven’t eaten since breakfast.  It’s not good or sensible I know, but it’s so busy during festival time, you don’t realise you’ve gone all day without eating.  

Then its dealing with tradies – armies of men taking things apart and toting big trolleys full of equipment.  I haven’t lost a single bit of furniture, but we have lost the trolley for the marquee.   Everyone has their  bump out sheets and the box offices start to come down, the green room gets dismantled though all the festival equipment is left in the middle of Tjanabi, so I have to get people to come  back to take it to the Edge for loading up!  All the banners are gathered up throughout the venues, and all the documentation.  

I say bye to our wonderful FOH coordinator Zohar who has made such a difference to the festival this year.  The volunteers start leaving and then the last event finishes, and we all swoop into the venue taking everything down to the loading bay and Gen’s sturdy van which is doubling as our production vehicle. 

I think I’m holding it together, not forgetting anything, synchronising all pack downs and not getting too stressed. All the glasses bar one come back, and the jugs; the laptops are gathered up and all the unused volunteer and author bags returned.

Tom and the production team Gen and Will  make sure all the techie stuff arrives back at the temporary office at BMW Edge, and we make three trips in the van taking everything back to the office in Sturt Street. Jane is the driver for two of them and comes back to the office looking grey with fatigue.  

I can’t believe how much stuff we’ve gathered!  Everyone is so exhausted that we can barely speak.  We sit on the floor in the temporary office, sharing a meal of fries, and some wine and talk about something or other and wait for the festival club to end so we can finish bump out and go home.  I’m scared I’ll never be able to get back up from the floor, I feel about 80.  My feet and legs are painful from all the walking and those damn stairs up from the BMW Edge, and from the unyielding floor of Federation Square!  It’ll take more than a few sleeps for them to recover I know.  Jane says one of the volunteers had a pedometer to track her walking.  I don’t know that I want to know how much I’ve walked over the last 11 days.   

I make everyone give me their Fed Square security swipe cards and walkie talkies.  It’s really the end of the festival.

Nina and I do a final sweep to make sure we have everything and already its like we were never there, with the cleaners sweeping up the last of the tickets, and just the skeleton of the bookshop waiting for collection.

Festival club finishes, we all sweep in and pull everything out.  It’s done.  We’re out of there by 10.30pm. Louise disappears into the city to catch a tram.  I say, see you Monday and think probably there should be something more ceremonial given its the end of the festival, in each other’s pockets, ears and heads for ten days.

Gen gives me a ride home and I sink into my couch with exquisite relief.  It’s all over, it’s a great success, I can sleep in, my feet will recover and I can eat normal meals.  All I need do is find that missing trolley.  Tomorrow.

Helenka
Festival Manager

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