Category Archives: Other events
Peter Temple’s Truth wins Miles Franklin Literary Award 2010
Peter Temple was announced as the 2010 Miles Franklin Literary Award winner at a ceremony in Sydney last night, for his novel Truth (Text Publishing).
Temple’s publisher Michael Heyward told the Weekly Book Newsletter last night that Truth had ‘changed the possibility of the crime novel’. ‘Truth is a crime novel but also a novel about crime. It’s a contemporary tragedy,’ he said. Australian Literary Review editor Stephen Romei provided an entertaining live tweet-stream last night, too, revealing that Temple looked ‘genuinely stunned’ upon the announcement, and also ‘dropped the f word in his acceptance speech’. Wonderful. Temple said the judges ‘have to take the flack for giving the Miles Franklin to a crime writer and all I can say, my advice to them is cop it sweet. You’ve done the crime, you do the time.’ You can listen to and read Temple’s acceptance speech (or parts of it) through ABC AM’s report here.
Unfortunately I haven’t had the chance to read Temple’s work as yet. When I blogged briefly on this year’s shortlist over at LiteraryMinded, the commenters had a few things to say about ‘genre’ and ‘literary’ writing. mjlivi said: ‘I’ve not read any of the other short-listed books, which is pretty poor form, but based on The Broken Shore, I’d argue that Peter Temple deserves to be treated as a “literary” writer as much as a crime writer.’
One wonders what Bryce Courtenay might think of Peter Temple’s writing – does he think he could pull off a Peter Temple, like he thinks he can pull off a Peter Carey? Is Temple the perfect ‘in-between’ writer – beautiful writing, well-developed characters + plot? What do you think?
This genre/literary discussion does come up a lot at writers’ festivals, and has certainly done so at MWF. Often the writers want nothing to do with it – seeing it as marketing gaff (but perhaps only when they feel they’ve been misrepresented). Other writers embrace their genres, but might still hope for a wider audience for them (see my notes on the ‘Visions of the City’ session at MWF 2009). As someone who’s worked in a bookstore and edited a book trade magazine, I believe the categorisation can come in handy to help readers find books they will enjoy. But it can also be detrimental to readers who might benefit from expanding their horizons. But then is something like Truth, that bridges the supposed divide, the perfect kind of novel? For all kinds of readers?
There’s a good little review of the book at Bite the Book: PNPBookseller’s blog. Official Festival bookseller Readings have also released Truth at a special online price to celebrate its win. You can buy a copy for $27.95 (down from $32.95) here.
Full steam ahead
I get an email from our insurance agent, needing an update on our insurance policies. I’m not sure whether this is a welcome diversion from the intensity of festival preparation, or not! It’s easy to forget the world outside when you’ve got all these festival deadlines coming up one after the other. (Note to self: must find out where my perspective has gone).
A triumph in that evil Steve, the festival box office manager, and myself, have got the professional development program on line and up for sale, a week before the official program goes live. Already there are some takers for one of the masterclasses. Hurrah! The web works! The ticketing works!
Meantime, my lovely web volunteers continue to do their work off site uploading the text for 300 + sessions, and 400+ writers. It’s a massive task. All will be revealed on 17 July,. I’m doing work on the web this weekend in the office; need to have quiet space to concentrate on it, and I’ll make a note of how many films, walks, dinners and other events we’re doing for my next blog. We’re really pushing sales through the internet this year. Went up from 20% to 60% in 2008, and we’re hoping to make that 75% in 2009.
An exception to the current work.work.work regime is the glory that is the Tour de France. Nothing like watching other people work hard (very hard!) biking up mountains, dodging dogs and mad ‘devils’, in fantastic countryside in the hot, hot sun to help you find your perspective tucked under a sofa cushion. Looks a bit depressing for local boy Cadel Evans but I always look forward to the Basque sections of the race, and the wonderfully named Euskaltel Euskadi team. Suddenly the mountains turn orange.
Helenka
Festival Manager
Slava’s Snowshow – special offer
“Snowshow is to clowning what Cirque du Soleil is to circus.” Variety
“Elicits gales of giddy laughter and gasps of awe.” The New York Times
Following a recent sold-out season on Broadway, where it has just been nominated for a prestigious Tony Award, Slava’s Snowshow returns to Melbourne for a strictly limited season at the Athenaeum Theatre from August 12.
The award-winning Slava’s Snowshow has delighted millions of theatre-goers around the world.
Culminating in a snowstorm that engulfs the entire audience, the show features the most breathtaking and beautiful visual effects you will ever experience in a theatre. Amidst an atmosphere of joyful celebration, the world’s most masterful clowning troupe delivers laugh-out-loud comedy and heartwarming poignancy.
At the end, nobody wants to leave the theatre.
Snowshow will unleash childlike wonder and uncontrollable fits of laughter from even the most jaded adults amongst your group.
SPECIAL OFFER!! BOOK NOW AND SAVE
For a limited time, you can book an A Reserve ticket for Slava’s Snowshow
for the very special price of only $69.90
Simply visit http://www.ticketmaster.com.au/Slavas-Snowshow-boletos/artist/907448 click on ‘Find Tickets’ and quote the special code word CLOWNS
STRICTLY LIMITED SEASON FROM AUGUST 12
ATHENAEUM THEATRE
188 Collins Street, Melbourne
Bookings: Call Ticketmaster on 1300 723 038 or call
the Athenaeum Theatre Box Office on (03) 9650 1500
Presented by Ross Mollison and David J Foster
Created and staged by SLAVA by arrangement with SLAVA and Gwenaël Allan
Not recommended for children under 8 years
Cinema Nova and Readings event: Which is better? The book or the movie?
To celebrate the release of the film adaptation of J. M. Coetzee’s Booker Prize winning novel DISGRACE, starring John Malkovich, Cinema Nova in partnership with Readings are proud to present the first in an ongoing series of discussions to try and settle the age-old dinner party dispute:
WHICH IS BETTER? THE BOOK OR THE MOVIE?
Sunday June 14, 5.00pm
A screening of DISGRACE will preceed the panel discussion.
$15.50 / $11.00 concession
Melbourne’s best and brightest film, publishing and arts identities will join the panel and try to settle the score.
Elliot Perlman is a barrister and award-winning writer who adapted his own book, THREE DOLLARS, for Robert Connolly’s drama starring David Wenham.
Sue Maslin is the multi-award winning producer of Japanese Story and the executive producer of Irresistible starring Sam Neill, Emily Blunt and Susan Sarandon.
Catherine Deveny is a controversial social commentator for The Age, was named amongst the 100 Most Influential Melbournians and co-wrote the 2005 AFI awards with Russell Crowe.
Tom Ryan has been the film critic for The Sunday Age in Melbourne since 1989. A film lecturer in Australia and the UK, he has also contributed to several international film magazines.
Peter Rose is the editor of Australian Book Review. He was a publisher at Oxford University Press and has authored the highly successful family memoir Rose Boys.
To be moderated by Michael Veitch a performer, broadcaster and writer, Michael started his career in TV comedy on legendary shows such as The D-Generation and Fast Forward. Born into a family of journalists, he has written as a theatre and literary critic for The Age, Australian and Herald-Sun newspapers. Michael is the host of ABC’s vastly popular Sunday Arts program.
MORE PANELISTS TO BE CONFIRMED CLOSER TO THE EVENT!
Tickets available at www.cinemanova.com.au
Potato? Potato.
Morning All,
I’ve just returned from three days in Sydney, immersing myself in their writers’ festival, and am exhausted from all the walking, thinking and drinking (coffee).
It’s always wonderful to see how other festivals work and it’s a treat to be able to actually see/hear sessions. It’s one of the key ironies of directing a festival that you rarely get to see any of the events that you curate (and often when you are immersed in one of your own events you’re preoccupied with ‘is the sound ok?’, ‘I wonder if X finally found the Green Room?’ and ‘did they remember Y’s allergic to crayfish?’).
In just over three days I was able to see a great many writers/thinkers, and I left wanting to read (more of) Laura Lippman, Cees Nootebaum, Norman Doidge, Kazuo Ishiguro, Craig Silvey, Evelyn Jurers, Marcus Chown, Fred Watson and Wesley Enoch, among others.
Unfortunately, this year there was less time spent with my legs dangling over the wharf, looking at the harbour bridge, and more time dodging thick sheets of rain, but I still had a terrific time. And funnily, since returning on Saturday, late in the afternoon, three people have asked me — was the SWF better/worse than MWF? And I’m now truthfully able to answer that it’s impossible to compare. Each of the Australian festivals I’ve been to is quite different from the next — you can’t expect (and wouldn’t want) them to be otherwise.
Happy reading.
Regards,
Steve
Associate Director
Victorian premiere of Charlie Kaufman’s SYNECDOCHE, NEW YORK
TUESDAY 28 APRIL Cinema Nova
Tickets available at www.cinemanova.com.au
Join us for drinks, theatrics and giveaways and be the first in Australia to see Charlie Kaufman’s highly anticipated directorial debut.
Philip Seymour Hoffman stars with an incredible line-up of modern cinema’s best actresses in the directorial debut of Oscar winning writer Charlie Kaufman (Eternal Sunshine, Being John Malkovich). Hoffman stars as a theatre director whose success is dwarfed by his artist wife’s. Determined to challenge convention, he sets out to stage a production that mimics reality in the most epic and inconceivable way. Co-starring Michelle Williams, Emily Watson and Samantha Morton.